Bmaj11 guitar chord

Drop 3 · 11th in bass · 11–3–7–R · dropped from 1st inversion
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Inversion
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About Bmaj11 — drop 3 voicings

Bmaj11 is B, D#, F#, A#, C# and E. Its natural is the same note name as the 4th, while the major 3rd remains.

In a close voicing, sits one fret above . A sharp 11th raises that note one more fret; Bmaj11 calls for the natural 11th.

Let both notes sound only when you want that close interval heard. For the sharp 11th instead, played without a 5th, the chord is .

Also written BM11, BΔ11 or B major 11.

Bmaj11 drop 3 guitar chord diagram: B, D#, F#, A#, C#, E, played 0x130x
Bmaj11 drop 3 guitar chord voicing: 0-x-1-3-0-x.

What is drop 3

Drop 3
close
753R
→
dropped
75R3

Drop the third voice from the top an octave instead. The wider gap skips a string, so the muted string is part of the shape.

That result, 3–R–5–7, is the shape usually meant by drop 3. Named by its bass note, as the inversions are here, it is the 1st inversion.

More familiar jazz shapes are drop 3 than drop 2.

E×ADGB

How to use Bmaj11

How you get to it. The turn that lands on Bmaj11 is to — the ii and the V of B — and shares its third and seventh with , so the hand barely moves between them.

Hear it land:→→

In which keys. Every note of Bmaj11 belongs to Ab minor (the ♭III) and B major (the I, the tonic).

What to play over Bmaj11

Useful scales

  • +G#

    Contains Bmaj11 and adds thirteenth.

Every scale

Chords near Bmaj11

Change one note

Major chords on every root

The common shapes and the derived voicings come from different places, and both are explained in how this site is built.

Midi Settings

7.5
Play Style
One pass of the pick from the lowest string up, everything left ringing.
Instrument
350
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Style

Shows each chord the way this style would voice it, and marks which of its alternatives belong to the idiom.

Layout

Left Handed Mode