Bbmadd9

1st inversion · Db in the bass1 of 7

The standard grips this chord is usually shown with.

Inversion
  • Tap a note to hear it
  • Arrows change position
  • Fingers, notes or intervals
  • Play the chord
About Bbmadd9

Bbmadd9 is Bb, Db, F and C, a minor add nine. The shape this page opens on is written x4331x, lowest string first.

Note by note. Bb is the root, Db is the minor third, F is the fifth and C is the ninth.

Bbmadd9 guitar chord diagram: Bb, Db, F, C, played x4331x
Bbmadd9, x4331x — the shape above, as a picture.

Also written Bbm(add9), Bbmin(add9) or Bb-add9. The same chord either way; which spelling you meet depends on who wrote the chart.

There are 7 common shapes for Bbmadd9 on the guitar, and 22 derived voicings in 2 families.

One note away. Change a single note of Bbmadd9 and you have Bbm (with one note taken away), Bbsus2 (with one note taken away), Bbsus2sus4 (with one note moved), Bbm6 (with one note moved), Bbm69 (with one note added) or Bbm7 (with one note moved).

In which keys. Every note of Bbmadd9 belongs to C# major (the vi), F minor (the iv), Ab major (the ii) and Bb minor (the i).

The common shapes, written lowest string first: x4331x, 64x56x, 688668, xx8668, x-x-11-10-11-8, x-13-11-10-13-x, x-13-11-x-13-13.

Under the hand. None of the shapes for Bbmadd9 uses an open string, so every one of them is movable; the lowest sits at the 1st fret. 2 of the 7 need a barre. Together they cover the neck from the 1st fret to the 13th.

Drop 2. A close-position chord with the second voice from the top lowered an octave. Sits on four adjacent strings. Bbmadd9 has x3332x, xx8668, 8886xx, x-x-10-10-11-9, x-15-15-15-14-x, xx3526, 6435xx, x4856x.

Drop 3. The third voice from the top lowered an octave. The dropped voice becomes the bass, which is why a string is skipped. Bbmadd9 has x3x321, 6x352x, x4x566, 8x866x, x-13-x-10-13-9, 9-x-10-10-11-x, 13-x-11-15-13-x, x-15-x-15-14-13.

What kind of chord this is. Bbmadd9 is a minor chord — root, minor third, fifth. minor chords on every root, and what they are for.

The common shapes and the derived voicings come from different places, and both are explained in where the chords and the theory come from.

Midi Settings

7.5
Play Style
One pass of the pick from the lowest string up, everything left ringing.
Instrument
350
150

Style

Shows each chord the way this style would voice it, and marks which of its alternatives belong to the idiom.

Layout

Left Handed Mode