C7sus4

C7sus4 is C, F, G and Bb, a dominant seventh suspended fourth. The shape this page opens on is written x33311, lowest string first.

Note by note. C is the root, F is the fourth, G is the fifth and Bb is the flat seventh.

Also written C7sus or C dominant 7 sus 4. The same chord either way; which spelling you meet depends on who wrote the chart.

There are 7 common shapes for C7sus4 on the guitar, and 33 derived voicings in 4 families.

One note away. Change a single note of C7sus4 and you have Csus4 (with one note taken away), Csus2sus4 (with one note moved), Cm7 (with one note moved), C7 (with one note moved), C7/G (with one note moved) or C11 (with one note added).

In which keys. Every note of C7sus4 belongs to C minor (the i), D minor (the ♭VII), Eb major (the vi), F major (the V), F minor (the v), G minor (the iv), Ab major (the iii) and Bb major (the ii).

The common shapes, written lowest string first: x33311, x35363, xxx566, xx5566, 8-10-8-10-8-8, x-x-10-12-11-13, x-15-15-15-13-13.

Under the hand. None of the shapes for C7sus4 uses an open string, so every one of them is movable; the lowest sits at the 1st fret. 4 of the 7 need a barre. Together they cover the neck from the 1st fret to the 15th.

Shell. Root, third and seventh: the guide tones fix the quality, so the fifth is dropped. That is what leaves a string free, so pick a tension to put on top. C7sus4 has x333xx, 888xxx, x-15-15-15-x-x, x3x36x, 8-x-8-10-x-x, 8x33xx, x-15-x-10-11-x.

Drop 2. A close-position chord with the second voice from the top lowered an octave. Sits on four adjacent strings. C7sus4 has x1301x, xx3313, 3333xx, xx5566, x-x-8-10-8-8, 8-10-8-10-x-x, x-10-10-10-11-x, x-x-15-15-13-15.

Drop 3. The third voice from the top lowered an octave. The dropped voice becomes the bass, which is why a string is skipped. C7sus4 has 3x331x, x1x011, x3x363, x8x586, 6x556x, x-10-x-10-11-8, 8-x-8-10-8-x, 13-x-10-12-11-x.

Open string. An open string left ringing against a fretted grip. Because it costs no finger, it sounds a note the closed shape has none left for -- a tension on top, or a pedal root underneath. Either a familiar grip with open strings added, or a shape so sparse the open strings carry the chord. These belong to their key rather than to a shape, so D, A, G and E have many and Eb a handful. C7sus4 has 6x006x.

Tensions. A shell of C7sus4, root, third and seventh, leaves a string free, and the tones that belong over it are the 9 (D) and the 13 (A).

What kind of chord this is. C7sus4 is a suspended chord — root and fifth, with a second or fourth where the third would be — or nothing at all. suspended and power chords on every root, and what they are for.

The common shapes and the derived voicings come from different places, and both are explained in where the chords and the theory come from.