Gm7

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The standard grips this chord is usually shown with.

Inversion
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About Gm7

Gm7 is G, Bb, D and F, a minor seventh. The shape this page opens on is written 353333, lowest string first.

Note by note. G is the root, Bb is the minor third, D is the fifth and F is the flat seventh.

Gm7 guitar chord diagram: G, Bb, D, F, played 353333
Gm7, 353333 — the shape above, as a picture.

Also written Gmin7, G-7 or G minor 7. The same chord either way; which spelling you meet depends on who wrote the chart.

There are 6 common shapes for Gm7 on the guitar, and 38 derived voicings in 4 families.

One note away. Change a single note of Gm7 and you have Gm (with one note taken away), Gm6 (with one note moved), Gm7b5 (with one note moved), Gm9 (with one note added), GmMaj7 (with one note moved) or Gmadd9 (with one note moved).

In which keys. Every note of Gm7 belongs to C minor (the v), D minor (the iv), Eb major (the iii), F major (the ii), G minor (the i) and Bb major (the vi).

The common shapes, written lowest string first: 353333, xx5766, x-10-8-10-8-x, x-10-8-10-11-x, x-10-12-10-11-10, x-x-12-12-11-13.

Under the hand. None of the shapes for Gm7 uses an open string, so every one of them is movable; the lowest sits at the 3rd fret. 2 of the 6 need a barre. Together they cover the neck from the 3rd fret to the 13th.

Shell. Root, third and seventh: the guide tones fix the quality, so the fifth is dropped. That is what leaves a string free, so pick a tension to put on top. Gm7 has 313xxx, x-10-8-10-x-x, 15-13-15-x-x-x, 3x33xx, x-10-x-10-11-x, 15-x-15-15-x-x, x-10-15-15-x-x.

Drop 2. A close-position chord with the second voice from the top lowered an octave. Sits on four adjacent strings. Gm7 has 1100xx, x1303x, xx3333, 3533xx, xx5766, x8878x, 10-10-8-10-x-x, x-x-8-10-8-10.

Drop 3. The third voice from the top lowered an octave. The dropped voice becomes the bass, which is why a string is skipped. Gm7 has x1x031, x5x363, 3x333x, 6x576x, x8x786, 10-x-8-10-8-x, x-10-x-10-11-10, 13-x-12-12-11-x.

Open string. An open string left ringing against a fretted grip. Because it costs no finger, it sounds a note the closed shape has none left for -- a tension on top, or a pedal root underneath. Either a familiar grip with open strings added, or a shape so sparse the open strings carry the chord. These belong to their key rather than to a shape, so D, A, G and E have many and Eb a handful. Gm7 has 3x3330, 6x5760, x55360, xx0360, xx0066, 6x006x.

Tensions. A shell of Gm7, root, third and seventh, leaves a string free, and the tones that belong over it are the 9 (A), the 11 (C) and the 13 (E).

What kind of chord this is. Gm7 is a minor chord — root, minor third, fifth. minor chords on every root, and what they are for.

The common shapes and the derived voicings come from different places, and both are explained in where the chords and the theory come from.

Midi Settings

7.5
Play Style
One pass of the pick from the lowest string up, everything left ringing.
Instrument
350
150

Style

Shows each chord the way this style would voice it, and marks which of its alternatives belong to the idiom.

Layout

Left Handed Mode