The standard grips this chord is usually shown with.
Bbalt is Bb, D, F#, Ab and Cb, a altered dominant. The shape this page opens on is written x12330, lowest string first.
There are 11 common shapes for Bbalt on the guitar, and 23 derived voicings in 3 families.
The common shapes, written lowest string first: x12330, x12331, 670750, 65x756, 6707x6, xx8756, 6787x6, x-x-8-9-11-10, x-13-12-x-11-12, x-13-12-15-15-12, x-13-14-15-15-x.
Shell. Root, third and seventh: the guide tones fix the quality, so the fifth is dropped. That is what leaves a string free, so pick a tension to put on top. Bbalt has x1010x, 6564xx, xx8797, x-13-12-13-12-x, x1x132, 6x677x, x-13-x-13-15-14, 6x010x.
Rootless. The root left to the bass player. Frees a finger for a tension. Bbalt has xx0102, xx4434, xx6777, x9979x, x-x-9-11-9-10, x-11-12-11-12-x, x-x-12-13-12-14, x2413x.
Open string. An open string left ringing against a fretted grip. Because it costs no finger, it sounds a note the closed shape has none left for -- a tension on top, or a pedal root underneath. Either a familiar grip with open strings added, or a shape so sparse the open strings carry the chord. These belong to their key rather than to a shape, so D, A, G and E have many and Eb a handful. Bbalt has x56470.
Tensions. A shell of Bbalt, root, third and seventh, leaves a string free, and the tones that belong over it are the #11 (E).
The common shapes and the derived voicings come from different places, and both are explained in where the chords and the theory come from.
Shows each chord the way this style would voice it, and marks which of its alternatives belong to the idiom.