Gdim7 guitar chord

2nd inversion · Db in the bass
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About Gdim7 — 2nd inversion

Gdim7 adds to . Its four notes, G, Bb, Db and Fb, divide the octave into equal minor thirds.

Move the shape three frets and it repeats the same pitches under a new root name. That symmetry helps it connect steadier chords from several directions.

Also written G°7, Go7 or G diminished 7.

Gdim7 2nd inversion guitar chord diagram: G, Bb, Db, Fb, played x-x-11-12-11-12
Gdim7 2nd inversion guitar chord voicing: x-x-11-12-11-12.

What 2nd inversion means

Gdim7 in 2nd inversion puts Db in the bass instead of G, the 5th of the chord. The notes are the same; what changes is what the bass line does, which is most of why you would reach for it — it lets the lowest voice move by step where the root would have jumped.

One of Gdim7’s 10 shapes does this:x-x-11-12-11-12

How to use Gdim7

1Between IV and I

IV – i°7 – I

Gdim7 shares its root with G and slips in between C and the I. It isn’t a new harmony, only decoration: two notes hold, and the rest move by step into the home chord.

Listen for: The IV’s root rises a half step, then another, into the fifth of the I, over a bass that never moves.

Heard in“True Love”“Calendar Girl”“Daydream”

2Leading into the chord a half step up

I – ♯i°7 – ii

Gdim7 is the dominant seventh flat nine of the chord a half step above it, with the root left out. Any of its four notes can be the one that rises, so it can lead into four chords; between F#maj7 and G#m7 it walks the bass up by half steps.

Listen for: The bass climbs a half step at a time, from the root of the I to the root of the ii.

Other uses

From the books, without a worked example
  • The vii°7 of a minor key
    vii°7 – i

    Gdim7 occurs naturally in A♭ minor: the harmonic minor scale builds it on the leading tone, a half step below Abm.

    1. Gdim7
    2. Abm
  • A way into a new key
    a modulation

    Played after Gmaj7, Gdim7 can lead into Abmaj7, and so into a new key a half step up. Since any of its notes can act as the leading tone, one diminished chord can lead into four keys.

    1. Gmaj7
    2. Gdim7
    3. Abmaj7
  • Alternating with a sixth chord
    I6 – vii°7 – I6

    Alternating Ab6 and Gdim7 is the sixth–diminished sound: the diminished chord is the V7♭9 of Ab6 with its root left out.

    1. Ab6
    2. Gdim7
    3. Ab6

    Go to the Ab6 page to hear it →

What to play over Gdim7

Useful scales

  • +ACEbF#

    Contains Gdim7 and adds second, fourth, sharp fifth and major seventh.

  • +AbBDF

    Contains Gdim7 and adds flat second, major third, fifth and flat seventh.

Every scale

Chords near Gdim7

Remove a note

Change one note

Diminished and half-diminished chords on every root

The common shapes and the derived voicings come from different places, and both are explained in how this site is built.

Midi Settings

7.5
Play Style
One pass of the pick from the lowest string up, everything left ringing.
Instrument
350
150

Style

Shows each chord the way this style would voice it, and marks which of its alternatives belong to the idiom.

Layout

Left Handed Mode