D6

D6 is D, F#, A and B, a major sixth. The shape this page opens on is written xx0202, lowest string first.

Note by note. D is the root, F# is the major third, A is the fifth and B is the sixth.

Also written Dmaj6, DM6 or D major 6. The same chord either way; which spelling you meet depends on who wrote the chart.

There are 10 common shapes for D6 on the guitar, and 34 derived voicings in 4 families.

One note away. Change a single note of D6 and you have D (with one note taken away), Dmaj7 (with one note moved), Dm6 (with one note moved), Dadd9 (with one note moved), D69 (with one note added) or D7 (with one note moved).

In which keys. Every note of D6 belongs to D major (the I), E minor (the ♭VII), F# minor (the ♭VI), G major (the V), A major (the IV) and B minor (the ♭III).

The common shapes, written lowest string first: xx0202, x5443x, x57777, x97777, 10-9-9-7-7-7, 7-9-7-7-10-7, 10-x-9-11-10-x, 10-x-12-11-12-10, 10-12-x-11-12-10, x-x-12-14-12-14.

Under the hand. 1 of the 10 shapes here sits in open position, and the first uses 2 open strings with 2 left unplayed. 4 of the 10 need a barre. Together they cover the neck from the 2nd fret to the 14th.

Shell. Root, third and seventh: the guide tones fix the quality, so the fifth is dropped. That is what leaves a string free, so pick a tension to put on top. D6 has x544xx, 10-9-9-x-x-x, x5x47x, 10-x-9-11-x-x.

Drop 2. A close-position chord with the second voice from the top lowered an octave. Sits on four adjacent strings. D6 has x2423x, xx0202, 2202xx, xx4435, 5544xx, xx7777, 7977xx, x-x-9-11-10-10.

Drop 3. The third voice from the top lowered an octave. The dropped voice becomes the bass, which is why a string is skipped. D6 has 2x020x, x2x232, 5x443x, x5x475, x-9-x-7-10-7, 7x777x, 10-x-9-11-10-x, x-12-x-11-12-10.

Open string. An open string left ringing against a fretted grip. Because it costs no finger, it sounds a note the closed shape has none left for -- a tension on top, or a pedal root underneath. Either a familiar grip with open strings added, or a shape so sparse the open strings carry the chord. These belong to their key rather than to a shape, so D, A, G and E have many and Eb a handful. D6 has x57470, 554400, x24230, 7x7770, 5x4430, 200200.

Tensions. A shell of D6, root, third and seventh, leaves a string free, and the tones that belong over it are the 9 (E) and the #11 (G#).

What kind of chord this is. D6 is a major chord — root, major third, fifth. major chords on every root, and what they are for.

The common shapes and the derived voicings come from different places, and both are explained in where the chords and the theory come from.