Dsus2

1 of 9

The standard grips this chord is usually shown with.

Inversion
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About Dsus2

Dsus2 is D, E and A, a suspended second. The shape this page opens on is written xx0230, lowest string first.

Note by note. D is the root, E is the ninth and A is the fifth.

Dsus2 guitar chord diagram: D, E, A, played xx0230
Dsus2, xx0230 — the shape above, as a picture.

Also written D2 or D suspended 2nd. The same chord either way; which spelling you meet depends on who wrote the chart.

There are 9 common shapes for Dsus2 on the guitar, and 56 derived voicings in 2 families.

One note away. Change a single note of Dsus2 and you have D (with one note moved), Dm (with one note moved), Dsus4 (with one note moved), Dsus2sus4 (with one note added), Dadd9 (with one note added) or Dmadd9 (with one note added).

In which keys. Every note of Dsus2 belongs to C major (the ii), D major (the I), D minor (the i), E minor (the ♭VII), F major (the vi), F# minor (the ♭VI), G major (the V), A major (the IV), A minor (the iv) and B minor (the ♭III).

The common shapes, written lowest string first: xx0230, x52235, xx2235, x57755, 10-7-7-9-10-x, x-7-7-7-10-10, 10-x-x-9-10-10, 10-12-12-x-10-12, x-x-12-14-15-12.

Under the hand. 1 of the 9 shapes here sits in open position, and the first uses 2 open strings with 2 left unplayed. 4 of the 9 need a barre. Together they cover the neck from the 2nd fret to the 15th.

Triad. Three notes across one string set. Dsus2 has xx223x, xxx230, xx0230, xx2230, 0002xx, x0223x, xxx755, 057xxx.

Open string. An open string left ringing against a fretted grip. Because it costs no finger, it sounds a note the closed shape has none left for -- a tension on top, or a pedal root underneath. Either a familiar grip with open strings added, or a shape so sparse the open strings carry the chord. These belong to their key rather than to a shape, so D, A, G and E have many and Eb a handful. Dsus2 has xx0230, 0002xx, x0075x, 0x023x, x00250, 0x0250.

What kind of chord this is. Dsus2 is a suspended chord — root and fifth, with a second or fourth where the third would be — or nothing at all. suspended and power chords on every root, and what they are for.

The common shapes and the derived voicings come from different places, and both are explained in where the chords and the theory come from.

Midi Settings

7.5
Play Style
One pass of the pick from the lowest string up, everything left ringing.
Instrument
350
150

Style

Shows each chord the way this style would voice it, and marks which of its alternatives belong to the idiom.

Layout

Left Handed Mode